Category Archives: writer conference

Signed Book Giveaway-Martin’s Big Words

Martin's Big Words

Martin’s Big Words

Mr. Brian Collier

Mr. Brian Collier

It’s giveaway time. This past November I met Brian Collier at an SCBWI writing conference. Brian is an illustrator and shared his road to success story with us.

Brian and I with Martin's Big Words

Brian and I with Martin’s Big Words

Signed Copy by illustrator Brian Collier

Signed Copy by illustrator Brian Collier

He spent hours each day walking the streets of NYC dropping off his portfolio to publishing houses. He was determined to get his work noticed and never gave up until he did. He made a comment that stuck with me, “It’s not there until it’s there,” he said. I think as writers we can understand this statement. We dream of the “one day,” but the dream is just a dream until that “one day” finally comes.

I was hoping to get an interview with Brian for the blog, but unfortunately I haven’t been able to get in touch with him. I did however manage to get a signed copy of the book he illustrated, Martin’s Big Words, The Life of Dr. Martin Luther King. This book received many awards including the Jane Adams Children’s Book Awards, Blue Ribbon List, The Caldecott Honor Book, Best Children’s Book award and several more.

Brian’s illustrations are amazing. He is a gifted artist who conveys the emotion of the picture brilliantly. If you ever get the chance to attend a conference where he is speaking, I highly recommend you go. He’s funny and knows how to capture his audience.

Just one of the beautiful pictures you will find in this book.

Just one of the beautiful pictures you will find in this book.

Here is the summary on Amazon:

This picture-book biography is an excellent and accessible introduction for young readers to learn about one of the world’s most influential leaders, Dr. Martin Luther King, Jr. Doreen Rappaport weaves the immortal words of Dr. King into a captivating narrative to tell the story of his life. With stunning art by acclaimed illustrator Bryan Collier, Martin’s Big Words is an unforgettable portrait of a man whose dream changed America-and the world-forever.

Anyone who comments on this blog will be entered into the giveaway. Don’t miss out on the opportunity to own this signed book.

I will leave the contest open for comments for one week. Next Wednesday I will announce a winner.

Good Luck!

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Critiquing Etiquette


Today’s post will be dedicated to critiquing etiquette. In my previous post, I listed a bunch of blogs that I thought about writing but didn’t and promised to write the one that got the most comments. Jan from Crazy Jane the writing life of Jan Morrison left the first comment advising she’d be interested in reading a blog on proper critique etiquette. Jan, this one is for you. Medeia Sharif commented that she liked “Thinking about Writing is Not Writing”, stay tuned for that blog post.

Early in my writing career I learned that to become a great writer you must trust others to help you see the error of your ways. I was lucky enough to find a great critique group lead by an excellent writer. Throughout the years some of the writers left the group for different reasons but every one of them helped me learn the craft.
I believe the most important thing to remember when critiquing the work of another is to do it with class.
* Don’t be sarcastic
* Don’t critique the person, critique their work
* Don’t compare their writing to yours
* Don’t focus on negative things only
* Don’t tell them that their story will never sell
* Don’t make them hate writing
* Don’t be afraid to be honest
Where you are weak someone else is strong and vice versa. I might be weak in punctuation and grammar but strong in plot structure. I could have a great plot but if my commas are in the wrong places and my sentences are run-ons, an agent or publisher might reject me quicker than a child going down a water slide.

*Do let the writer know any spots that confuse you. Sometimes the writer thinks they are conveying exactly what walks around in their mind when they are not.

* Be honest but tactful. Always add some sugar to your words. Don’t make your fellow writer feel like they have just been punched in the stomach. Do say something like “I like the imagery in this scene but I am not sure it offers any merit to the story.”
Don’t say something like “This scene is completely irrelevant. I think my fifth grader could do better.”

*If you are going to offer a critique, don’t be lazy about it. There is nothing worst than receiving a critique that only has a comment every ten pages. If you think the story and writing is superb and needs no adjustments for several pages list something positive, like “Wow, I just read through two chapters without stopping,” or “I loved this sentence.” The smallest comment can build confidence.

*Critique someone else’s work the way you would like your work critiqued.

*Try and keep your deadlines. I have only participated in online critique groups. I have never attended a face to face critique session. The way our online critique group worked was we had six members, three would submit in the beginning of the month and three at the end. We requested that all critiques be sent in no longer than three weeks. (You can decide your own time frames).

*If you are providing a critique and sending it via e-mail, be sure that your comments are written in a different font color. Imagine how difficult it would be to search for comments if everything was in black.

*If you cannot give a critique for any reason please let the receiver know. It is not nice to make them wait only to tell them later that you didn’t get to it. Sometimes life interferes with commitments. When this happens it is okay to inform your peers that you won’t be able to offer a critique this time around due to whatever circumstance arises.
An instructor once told me to immediately start editing after receiving a critique. She explained it is better because everything will be fresh in your mind. I have found that this cannot always be done. It is okay to skim through a critique and then tuck it away for a week. Many times comments or suggestions that made me want to cry initially became much clearer and made perfect sense a few days later.

What did I forget? Are you in a critique group? What makes a good critique group?

*There are no mistakes in writing only lessons to be learned*

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Is Writing a State of Hypnosis?

Hypnosis is a mental state (according to “state theory”) or imaginative role-enactment (according to “non-state theory”).

After researching hypnosis for my current work in progress (I’m really excited about this one) I have come to my own conclusion about the writing process. I believe that writers enter a hypnotic state when they are creating their written work.
Really think about where your mind goes when you write. Are you at your computer or are you far away in another land? Your body is one place but your mind is wherever it is that you take it. An interruption to a writer is just like a hypnotist snapping his finger in front of the face of the person being hypnotized.
I can only speak for myself when I say that interruptions drive me crazy, especially when I am in “the zone”. It’s not because I don’t want to talk to the person who is calling or tend to the child who needs me, it’s that I know how hard it can be to slip back into that frame of mind.
Writers block may be the inability to drift into that hypnotic state where magical lands exist and memorable characters walk. It might be that the writer with “writers block” is unable to detach their selves from the reality they are living in and enter the world they need to in order to create.
Have you ever caught yourself staring at an object but realized it was not the object that you were thinking about? Anytime our mind takes a stroll, we are in state of hypnosis. Did you ever read through your work and ask yourself “Where did I pull that from?”
Writers write under hypnosis then hypnotize readers with their words. When I count to three you will be out of my world and back into yours, 1…2…3…

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Interview with Helene Boudreau: Author of Real Mermaids Don’t Wear Toe Rings

Hi Hélène, thank you so much for agreeing to participate in my first ever blog interview. I’d like to start by introducing you to my readers. Hélène Boudreau is the author of Real Mermaids Don’t Wear Toe Rings. She writes fiction and non-fiction for kids and lives in landlocked Ontario, Canada but spends summers at her seaside childhood home on the Atlantic Ocean.

Hélène’s book was just launched on December 1st and is now available everywhere books are sold.

Okay Hélène, let the interview begin.

Can you tell us a little about Real Mermaids Don’t Wear Toe Rings?

Thanks so much for having me! Here’s the description from the back of the book:
First zit. First crush. First…mermaid’s tail?
If Jade hadn’t been so clueless, she might have seen it coming. But really, who expects to get into a relaxing bathtub after a stressful day of shopping for tankinis and come out with scales and a tail?
Most. Embarassing. Moment. Ever.
Jade soon discovers she inherited her mermaid tendencies from her mom. But this revelation raises a serious question: if Mom was a mermaid, how did she drown?
Jade is determined to find out. But how does a plus-sized, aqua-phobic, mer-girl go about doing that, exactly? And how will Jade ever be able to explain her secret to her best friend Cori, and her crush, Luke?
This summer is about to get a lot more interesting…

What inspired the idea for the book?

Growing up, my dad used to take us for boat rides from the Atlantic Ocean, through a canal, and into the fresh water lakes of Cape Breton, Nova Scotia. We had to get through a set of boat locks en route and I often wondered if the purple jellyfish in the ocean knew about the white jellyfish in the lake. It amazed me that two totally different underwater worlds could be separated by just a mile-long canal. That was the inspiration for the mer-world in this book.

The main character, Jade, came from conversations I had with my daughters after reading Mélanie Watt’s picture book ‘Scaredy Squirrel’. The book is about a neurotic squirrel who’s afraid of everything. We were getting a bit silly, talking about birds that were afraid of flying or fish that were afraid of swimming; which led to the idea of an aqua-phobic mer-girl. It just seemed like such a ridiculous idea that I just had to see where it led. Little did I know; it would lead to this book!

How long did it take you to write the book?

I wrote the story over two National Novel Writing Months (NaNoWriMo) as a matter of fact. The first time (in Nov ’07) I wrote about 30, 000 words. The second time (in Nov ’08) I finished it and began revising. I kept on revising until I signed with my agent in June ’09 and until I signed with my publisher in Oct ’09 and then revised some more until it finally went to press in August ’10. So, in total, I think it was close to a three year process.

I’m always curious about other writer’s journeys to publication. Can you tell us how long you spent querying? Did you receive immediate interest or did it take a while for an agent to request your manuscript?

I began querying agents with this project in March of ’09 but that was after spending a full ten months querying another project with no success. By the time I signed with my agent, Lauren MacLeod of the Strothman Agency in June ’09, I had sent out about 113 queries (you can see my query dissected on the Guide to Literary Agents blog)over a twelve month period. Once Lauren started submitting my book to publishers it was surprisingly quick (to me!); it took only about six weeks until we had an offer from Sourcebooks/Jabberwocky.

I was so used to waiting that it seemed like a blink of an eye!

What genre is your book?

I’d describe it as a light-hearted contemporary fantasy. With a dash of Epsom salt.

Do you have any other books in the works?

The second volume of my chapter book series Red Dune Adventures / Nimbus Publishing will be published in spring/ 2011. It’s called Water Hazard and it’s an eco-adventure mystery for 6-9 year olds. I also have a picture book coming out with Candlewick in 2013 but that’s still in the early stages.

What is your favorite time to write?

I have two little chicklets, 7 and 9 years-old, and you would think my best writing time would be when they’re at school but it’s actually when we’re all at home or at the library together; usually while they’re doing their homework or reading. It’s so nice to work alongside one another, taking breaks to ask questions or to crack jokes. I get a lot of inspiration for my writing from conversations with my girls.

Do you have a favorite writing space?

I work from a laptop in various places around the house. I work on my treadmill desk for part of the day, the kitchen counter for a little while or parked on the couch if I feel like putting my feet up. I like the flexibility of being able to move around.

If you could offer a fellow writer advice what would it be?

Foremost; read, read, read/ write, write, write/ revise, revise, revise.

Then eat chocolate and repeat/ repeat/ repeat.

It’s really a combination of staying on task, working really hard, not being afraid to write junk during your first draft, revising until the cows come home, asking for help when you need it, and believing in yourself.

I have always loved mermaids. I especially loved the movies Splash and Aquamarine. Do you hope to see your book on the big screen?

I think most writers see their characters in their heads and can fully imagine them on the silver screen. That would be a lovely dream come true! Equally thrilling is to get to ‘hear’ your characters, which I have the pleasure of doing since Dreamscape Media has produced the audiobook of Real Mermaids Don’t Wear Toe Rings. In fact, they’re doing a giveaway of three autographed copies until December 20th if you LIKE their fan page on Facebook. Jen Taylor does an AMAZING job as Jade. See for yourself; you can listen to the first chapter right here!

I love the cover of your book. Were you involved in the selection of the book cover?

Thankfully, no. The fabulously talented design team at Sourcebooks deserves all the credit there. I would have come up with something far dorkier and much less awesome. I love it, too!

I always love to see who authors thank in the acknowledgement section of the book. Is there anyone special that you thanked?

There are so many people who helped me shape this book into its final form so acknowledgements are always so hard for me. It’s impossible to name everyone and I end up having to be vague and utterly uncharming.

I dedicated the book to my agent, though. Because she laughed in all the right places.

Will you be doing any book signings?

Mostly in Canada but I can send signed bookplates to bookstores or book clubs. We have the technology! 

Hélène, thank you so much for stopping by. I’m sure your book will be a huge success. I have already added it to my Christmas wish list. Speaking of wish lists, what books are you looking forward to reading?

Thanks so much for adding Real Mermaids Don’t Wear Toe Rings to your Christmas list! I’m really looking forward to reading my fellow Sourcebooks author, Kari Townsend’s The Samantha Granger Experiment and my friend Marina Cohen’s Mind Gap, Natalie Hyde’s Saving Armpit and Mahtab Narsimhan’s The Deadly Conch

One more question before you go. I see you are a fellow lover of chocolate. If you can have anything dipped in chocolate what would it be?

Any kind of fruit: strawberries, cherries, pineapple…SO yummy. And it can be any kind of chocolate, too. Toblerone, Cadbury, melted chocolate bunny—I’m not picky.

Okay, I lied, one more. I assume every writer has a favorite word. My favorite word is BELIEVE. What is your favorite word?

Dinglehopper. It can stand in for so many things!

I think my first blog interview was a success. Helene’s answers were AWESOME! Make sure you add her book to your wish list. I can’t wait to read all about Jade. Leave a comment and let me know how you think the interview went.

You can find Hélène on Twitter, Facebook and on her Website.

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Who Will You Thank?

I love when I finish a book for many reasons but today I will only discuss one of the reasons. You would think the first thing I would do after finishing a book would be reflect, but I don’t do that until after I have read the acknowledgements. I guess you could say I’m a bit corny. I won’t allow myself to read the acknowledgements until I have finished the book (I’m not somebody that looks ahead to find out what’s happening either. I like waiting).
Once I know I have completed reading I race to that page where the author does some of his or her own reflecting. I love to see who they have thanked and why. I also gain valuable information such as who the author’s agent is. Reading an acknowledgement allows me to daydream of what my own would look like. Who would I thank? What agent’s name will be listed? What interesting facts about myself would I like to share?
I thought about writing a mock acknowledgement on this blog (I was very tempted) but decided not to in fear that doing so would somehow jinx me (yes, I’m a bit superstitious).
I recently was given a Kindle for my birthday and my first thought was… will there still be an acknowledgement section? I still don’t know because I haven’t jumped ahead to see.
Reading that short paragraph at the end assures me that all authors have someone who helped them along the way, someone who encouraged them, someone who believed in them, someone who wasn’t afraid to critique them and finally someone who helped turn their dream into a reality. They were where so many of us still are. Seeing that they made it allows us to hope one day we will too.
Do you read the acknowledgements? What do you like the most about them? Have you ever thought of who you would thank?

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A Few Things I’ve Learned

Sometime around ten years ago I declared myself a writer. At the time of declaration I thought being a writer simply meant you wrote stories. I did not realize what needed to be learned before others would view me as a writer. Today, I have been racking my brain for interesting blog ideas. There are so many blogs out there regarding the craft of writing that it is hard (not impossible) to think of a topic that has not already been done. So, I thought why not go back to that girl in her twenty’s who knew virtually nothing about the craft and tell her some key facts she will need to know in order for her writing to be taken seriously. Here is what I remember learning early on. Please leave a comment and share with us what you remember learning.
*Show Don’t Tell –Eg. Caren was mad. (this is telling). Caren threw her book bag across the floor and slammed the door behind her. (This is showing)
* Pov’s- 1rst Person Point of View (A character narrates the story. Their use of speech would include the words I-me-mine.
2nd Person Point of View (rare) the author would use you or your as if they were directly addressing the reader.
3rd Person Point of View- Writing in 3rd person means you only know the thoughts of one character. If your main character is Edmond you can write about how Edmond feels. You are writing as if you are looking through Edmond’s eyes.
Eg. Edmond’s heart longed for the girl Stella once was. (You can write this because Edmond is your main character). You cannot write Edmond looked at Stella and his heart tugged and then in the next sentence write Stella knew Edmond was looking at her but she refused to look back.(Stella is not your main character so you would not know what Stella felt or thought.) Unless you were writing in 3rd person-omniscient (this is when the author decides to open up the thoughts of all the characters to the readers). I like the idea of this but I think you would really have to master it in order to get positive feedback.
*Formatting – Most agents, editors and publishers prefer that your manuscript be double-spaced, using Times New Roman in 12pt font. (Don’t think you will make yourself stand out in a good way by using something different.)
*Query Letters, Cover Letters, Bio’s and Synopsis
Query Letters – Brief letter to agent or editor consisting of a short hook, (eg. A short sentence that draws them in and hopefully tempts them to want to read more), a brief overview of what your book is about (Eg. Edmond and Stella have known each other since the sixth-grade. When Stella starts hanging out with the known druggies, Edmond fears he will lose her forever and decides to develop a plan to save her.) Close your query letter by adding your qualifications or experiences (Publishing credits, schooling, memberships etc).
Cover Letters- A cover letter should accompany a manuscript. This letter will provide an overview of your submission. If an agent or editor request material, your cover letter is where you would remind them that this is being sent because it was requested. Eg., Thank you for requesting Edmond and Stella etc, etc.
Synopsis- A complete description of your work in which the entire book is conveyed compactly. You can write a one or two paragraph synopsis or a chapter by chapter synopsis (check the agent or editor’s specifications before sending)
Bio – A very brief summary of who you are. Practice summing yourself up in fifty words or less.
This blog could go on and on and on (I didn’t even touch, story structuring, grammar, the importance of critique groups etc.)
For now I will end this blog but promise to continue posting things I have learned. I am still learning, which is exactly why I love the craft as much as I do. We can’t become experts if we refuse to admit there are lessons to be taught. Our journeys are different but we all encounter the same lessons along the way.
What did you not know early on?

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