Tag Archives: editing

Writing About Love Giveaway

Happy Valentines Day! Love, aah yes, it’s what makes the world go around. We all look for it, give it, receive it and would have a hard time living without it. Love is a writer’s friend. If you are a writer then chances are you have written about love.

Today is a good day to write. It is a day of observation. Take the time to focus on what emotions are being displayed. Is there a co-worker that is in a terrible mood because her and her significant other called it quits and today she has no valentine?

Did you witness flowers being delivered to an unsuspecting person? How did they respond?

I’m willing to bet that every novel written has some element of love within its pages. It can be materialistic love, sibling love, romantic love, love of power, platonic love or unconditional. Love is not just mushy. It can be the root to violence, insecurities, and betrayal.

Today’s post is a writing exercise. It has two parts.

First Part- Take one of your favorite novels down from the shelf and begin exploring the pages. Where did the author write about love? What type of scene did they create? How did you feel after reading their words? Did anything about their words inspire you?

Second Part- Create your own love scene. Remember it doesn’t have to be sunshine, rainbows, kisses and hugs. It could be storms, rocky roads and sacrifice.

Writing Prompt: Lexie stepped off of the train (What does Lexie stepping off of a train have to do with love? Was she meeting up with the guy she left everything for? Was she returning home to tend to a sick parent? Was she following her dreams?)

You could go anywhere with one sentence. What the heck let me see where you take this and you might win a surprise. I’m in the mood for a giveaway.

Make me feel love in 100 words or less and you may be a winner.

Because this giveaway was spontaneous I do not yet know what the gift will be but I promise it will be well thought out.

Love and Kisses xoxoxoxo

Maribeth

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Thinking about Writing is Not Writing, but…

Too often, I find myself thinking about writing while driving, thinking about writing while working, thinking about writing while sitting on the couch which leads to me telling myself Hey Mar, thinking about writing is not writing.
Thinking about writing is not writing but it may be just as important. I have found that a lot of my best ideas came at my laziest of moments. There have been times where I sat down to write only to come up with nothing. I’d feel sorry for myself and decide that instead of wrestling with the emptiness of my mind, I’d go take a nap. Sure, the first few seconds I’d curse myself and call myself some unflattering names but then something almost magical would happen. As I lay there in a stupor a blink of an idea would flicker. A character I’d never met would introduce itself. A scenario I hadn’t imagined would dance across my thoughts and before I knew it, I was jumping off of the couch.
Why didn’t the ideas come to me while sitting in my writing chair? Why didn’t these characters say hello when my fingers were tapping the keyboard? Why didn’t the scenario shout to me when I was sitting there staring at a blank page?
I have come to the realization that our brains need rest and much like a baby sometimes they don’t act on command. It is easy to think about what you will write when you are not writing because nothing is expected of you in that moment. Your mind is free to roam. It’s not in the spotlight so to speak therefore it is filtering out junk without you even realizing.
I think I figured it out. We have to trick our minds into thinking we are not going to write. We have to play reverse psychology with our own psyches.
If you make mental notes when you are thinking about writing, you might find a plethora of material waiting for you when you sit down to actually write.

Do you think about writing more than you write?
Where are some places you find yourself thinking about writing?
Do you agree that once you walk away from writing that your mind fills with great writing material?

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Critiquing Etiquette


Today’s post will be dedicated to critiquing etiquette. In my previous post, I listed a bunch of blogs that I thought about writing but didn’t and promised to write the one that got the most comments. Jan from Crazy Jane the writing life of Jan Morrison left the first comment advising she’d be interested in reading a blog on proper critique etiquette. Jan, this one is for you. Medeia Sharif commented that she liked “Thinking about Writing is Not Writing”, stay tuned for that blog post.

Early in my writing career I learned that to become a great writer you must trust others to help you see the error of your ways. I was lucky enough to find a great critique group lead by an excellent writer. Throughout the years some of the writers left the group for different reasons but every one of them helped me learn the craft.
I believe the most important thing to remember when critiquing the work of another is to do it with class.
* Don’t be sarcastic
* Don’t critique the person, critique their work
* Don’t compare their writing to yours
* Don’t focus on negative things only
* Don’t tell them that their story will never sell
* Don’t make them hate writing
* Don’t be afraid to be honest
Where you are weak someone else is strong and vice versa. I might be weak in punctuation and grammar but strong in plot structure. I could have a great plot but if my commas are in the wrong places and my sentences are run-ons, an agent or publisher might reject me quicker than a child going down a water slide.

*Do let the writer know any spots that confuse you. Sometimes the writer thinks they are conveying exactly what walks around in their mind when they are not.

* Be honest but tactful. Always add some sugar to your words. Don’t make your fellow writer feel like they have just been punched in the stomach. Do say something like “I like the imagery in this scene but I am not sure it offers any merit to the story.”
Don’t say something like “This scene is completely irrelevant. I think my fifth grader could do better.”

*If you are going to offer a critique, don’t be lazy about it. There is nothing worst than receiving a critique that only has a comment every ten pages. If you think the story and writing is superb and needs no adjustments for several pages list something positive, like “Wow, I just read through two chapters without stopping,” or “I loved this sentence.” The smallest comment can build confidence.

*Critique someone else’s work the way you would like your work critiqued.

*Try and keep your deadlines. I have only participated in online critique groups. I have never attended a face to face critique session. The way our online critique group worked was we had six members, three would submit in the beginning of the month and three at the end. We requested that all critiques be sent in no longer than three weeks. (You can decide your own time frames).

*If you are providing a critique and sending it via e-mail, be sure that your comments are written in a different font color. Imagine how difficult it would be to search for comments if everything was in black.

*If you cannot give a critique for any reason please let the receiver know. It is not nice to make them wait only to tell them later that you didn’t get to it. Sometimes life interferes with commitments. When this happens it is okay to inform your peers that you won’t be able to offer a critique this time around due to whatever circumstance arises.
An instructor once told me to immediately start editing after receiving a critique. She explained it is better because everything will be fresh in your mind. I have found that this cannot always be done. It is okay to skim through a critique and then tuck it away for a week. Many times comments or suggestions that made me want to cry initially became much clearer and made perfect sense a few days later.

What did I forget? Are you in a critique group? What makes a good critique group?

*There are no mistakes in writing only lessons to be learned*

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Is Writing a State of Hypnosis?

Hypnosis is a mental state (according to “state theory”) or imaginative role-enactment (according to “non-state theory”).

After researching hypnosis for my current work in progress (I’m really excited about this one) I have come to my own conclusion about the writing process. I believe that writers enter a hypnotic state when they are creating their written work.
Really think about where your mind goes when you write. Are you at your computer or are you far away in another land? Your body is one place but your mind is wherever it is that you take it. An interruption to a writer is just like a hypnotist snapping his finger in front of the face of the person being hypnotized.
I can only speak for myself when I say that interruptions drive me crazy, especially when I am in “the zone”. It’s not because I don’t want to talk to the person who is calling or tend to the child who needs me, it’s that I know how hard it can be to slip back into that frame of mind.
Writers block may be the inability to drift into that hypnotic state where magical lands exist and memorable characters walk. It might be that the writer with “writers block” is unable to detach their selves from the reality they are living in and enter the world they need to in order to create.
Have you ever caught yourself staring at an object but realized it was not the object that you were thinking about? Anytime our mind takes a stroll, we are in state of hypnosis. Did you ever read through your work and ask yourself “Where did I pull that from?”
Writers write under hypnosis then hypnotize readers with their words. When I count to three you will be out of my world and back into yours, 1…2…3…

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Interview with Helene Boudreau: Author of Real Mermaids Don’t Wear Toe Rings

Hi Hélène, thank you so much for agreeing to participate in my first ever blog interview. I’d like to start by introducing you to my readers. Hélène Boudreau is the author of Real Mermaids Don’t Wear Toe Rings. She writes fiction and non-fiction for kids and lives in landlocked Ontario, Canada but spends summers at her seaside childhood home on the Atlantic Ocean.

Hélène’s book was just launched on December 1st and is now available everywhere books are sold.

Okay Hélène, let the interview begin.

Can you tell us a little about Real Mermaids Don’t Wear Toe Rings?

Thanks so much for having me! Here’s the description from the back of the book:
First zit. First crush. First…mermaid’s tail?
If Jade hadn’t been so clueless, she might have seen it coming. But really, who expects to get into a relaxing bathtub after a stressful day of shopping for tankinis and come out with scales and a tail?
Most. Embarassing. Moment. Ever.
Jade soon discovers she inherited her mermaid tendencies from her mom. But this revelation raises a serious question: if Mom was a mermaid, how did she drown?
Jade is determined to find out. But how does a plus-sized, aqua-phobic, mer-girl go about doing that, exactly? And how will Jade ever be able to explain her secret to her best friend Cori, and her crush, Luke?
This summer is about to get a lot more interesting…

What inspired the idea for the book?

Growing up, my dad used to take us for boat rides from the Atlantic Ocean, through a canal, and into the fresh water lakes of Cape Breton, Nova Scotia. We had to get through a set of boat locks en route and I often wondered if the purple jellyfish in the ocean knew about the white jellyfish in the lake. It amazed me that two totally different underwater worlds could be separated by just a mile-long canal. That was the inspiration for the mer-world in this book.

The main character, Jade, came from conversations I had with my daughters after reading Mélanie Watt’s picture book ‘Scaredy Squirrel’. The book is about a neurotic squirrel who’s afraid of everything. We were getting a bit silly, talking about birds that were afraid of flying or fish that were afraid of swimming; which led to the idea of an aqua-phobic mer-girl. It just seemed like such a ridiculous idea that I just had to see where it led. Little did I know; it would lead to this book!

How long did it take you to write the book?

I wrote the story over two National Novel Writing Months (NaNoWriMo) as a matter of fact. The first time (in Nov ’07) I wrote about 30, 000 words. The second time (in Nov ’08) I finished it and began revising. I kept on revising until I signed with my agent in June ’09 and until I signed with my publisher in Oct ’09 and then revised some more until it finally went to press in August ’10. So, in total, I think it was close to a three year process.

I’m always curious about other writer’s journeys to publication. Can you tell us how long you spent querying? Did you receive immediate interest or did it take a while for an agent to request your manuscript?

I began querying agents with this project in March of ’09 but that was after spending a full ten months querying another project with no success. By the time I signed with my agent, Lauren MacLeod of the Strothman Agency in June ’09, I had sent out about 113 queries (you can see my query dissected on the Guide to Literary Agents blog)over a twelve month period. Once Lauren started submitting my book to publishers it was surprisingly quick (to me!); it took only about six weeks until we had an offer from Sourcebooks/Jabberwocky.

I was so used to waiting that it seemed like a blink of an eye!

What genre is your book?

I’d describe it as a light-hearted contemporary fantasy. With a dash of Epsom salt.

Do you have any other books in the works?

The second volume of my chapter book series Red Dune Adventures / Nimbus Publishing will be published in spring/ 2011. It’s called Water Hazard and it’s an eco-adventure mystery for 6-9 year olds. I also have a picture book coming out with Candlewick in 2013 but that’s still in the early stages.

What is your favorite time to write?

I have two little chicklets, 7 and 9 years-old, and you would think my best writing time would be when they’re at school but it’s actually when we’re all at home or at the library together; usually while they’re doing their homework or reading. It’s so nice to work alongside one another, taking breaks to ask questions or to crack jokes. I get a lot of inspiration for my writing from conversations with my girls.

Do you have a favorite writing space?

I work from a laptop in various places around the house. I work on my treadmill desk for part of the day, the kitchen counter for a little while or parked on the couch if I feel like putting my feet up. I like the flexibility of being able to move around.

If you could offer a fellow writer advice what would it be?

Foremost; read, read, read/ write, write, write/ revise, revise, revise.

Then eat chocolate and repeat/ repeat/ repeat.

It’s really a combination of staying on task, working really hard, not being afraid to write junk during your first draft, revising until the cows come home, asking for help when you need it, and believing in yourself.

I have always loved mermaids. I especially loved the movies Splash and Aquamarine. Do you hope to see your book on the big screen?

I think most writers see their characters in their heads and can fully imagine them on the silver screen. That would be a lovely dream come true! Equally thrilling is to get to ‘hear’ your characters, which I have the pleasure of doing since Dreamscape Media has produced the audiobook of Real Mermaids Don’t Wear Toe Rings. In fact, they’re doing a giveaway of three autographed copies until December 20th if you LIKE their fan page on Facebook. Jen Taylor does an AMAZING job as Jade. See for yourself; you can listen to the first chapter right here!

I love the cover of your book. Were you involved in the selection of the book cover?

Thankfully, no. The fabulously talented design team at Sourcebooks deserves all the credit there. I would have come up with something far dorkier and much less awesome. I love it, too!

I always love to see who authors thank in the acknowledgement section of the book. Is there anyone special that you thanked?

There are so many people who helped me shape this book into its final form so acknowledgements are always so hard for me. It’s impossible to name everyone and I end up having to be vague and utterly uncharming.

I dedicated the book to my agent, though. Because she laughed in all the right places.

Will you be doing any book signings?

Mostly in Canada but I can send signed bookplates to bookstores or book clubs. We have the technology! 

Hélène, thank you so much for stopping by. I’m sure your book will be a huge success. I have already added it to my Christmas wish list. Speaking of wish lists, what books are you looking forward to reading?

Thanks so much for adding Real Mermaids Don’t Wear Toe Rings to your Christmas list! I’m really looking forward to reading my fellow Sourcebooks author, Kari Townsend’s The Samantha Granger Experiment and my friend Marina Cohen’s Mind Gap, Natalie Hyde’s Saving Armpit and Mahtab Narsimhan’s The Deadly Conch

One more question before you go. I see you are a fellow lover of chocolate. If you can have anything dipped in chocolate what would it be?

Any kind of fruit: strawberries, cherries, pineapple…SO yummy. And it can be any kind of chocolate, too. Toblerone, Cadbury, melted chocolate bunny—I’m not picky.

Okay, I lied, one more. I assume every writer has a favorite word. My favorite word is BELIEVE. What is your favorite word?

Dinglehopper. It can stand in for so many things!

I think my first blog interview was a success. Helene’s answers were AWESOME! Make sure you add her book to your wish list. I can’t wait to read all about Jade. Leave a comment and let me know how you think the interview went.

You can find Hélène on Twitter, Facebook and on her Website.

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I’m I a writer and I’m Thankful for…


Happy Thanksgiving! In honor of today, I am going to list everything I am thankful for as far as writing goes. I’d love to hear what my fellow writers are thankful for, so please feel free to leave a comment so we can compare.

1. I am thankful for being able to recognize that my passion in life is writing.

2. I am thankful for my fellow writers. I have connected with so many wonderful authors that have given me critiques, offered me support and provided me with inspiration. I truly believe that a writer cannot become a great writer without the help of other writers.

3. I am thankful for agents. I do not have an agent as of yet (hopefully that will be changing soon) but I appreciate all of the work they do for authors. A good agent will help a writer gain recognition, cut a book deal and set the path for a great journey.

4. I am thankful for the internet. Sites such as Twitter, Facebook and WordPress have introduced me to talented individuals who I might have never had a chance to meet.

5. I am thankful for The Institute of Children’s Literature. The courses I took with the ICL educated me on the craft of writing and encouraged me to believe in myself and the stories I tell. I am also thankful for the two wonderful instructors Melissa Stewart and Kevin McColley who taught me how to show not tell, write with emotion, set up a manuscript and edit my work (plus so much more).

6. I am thankful for publishers. The publishers are the kings of the writing jungle. The publishers make the writers dreams become reality. I’m thankful that they believe in the written word and work hard every day to keep writers writing and readers reading.

7. I’m thankful for the people who love to read. Without the readers there would be no use for the writers.

8. I am thankful for the gifts of creativity and imagination.

9. I am thankful for informative sites such as Query Tracker, Writer’s Digest, Guide to Literary Agents and any other site or blog that offers assistance to writers.

10. I am thankful for libraries and book stores.

I’m sure there are a dozen more things that I can add but for now that concludes my list. Have a wonderful Thanksgiving. Eat, write, and be merry, for tomorrow your dreams may come true.

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Surrounding Yourself With Inspiration

Yesterday I spent time on my back porch looking out at my yard. The sight of my withering Weeping Willow saddened me. Winter is approaching and the green weepy leaves that I love so much are slowly but surely disappearing for the season. As I dwelled on the soon to be bare tree a realization occurred to me. I surround myself with the very things that inspire me to write. I won’t say I did this consciously because I really do not think I did. I have loved trees for as long as I could remember (Weeping Willows are my favorite). I can go on and on about trees and how you will probably find one in each of my stories (even if it is just a small mention) but I will get back to the point I’m trying to make. I believe that most if not all writers surround themselves with inspiration (whether conscious or not). After coming to my realization, I looked around my house (especially my writing room) and found many items that I have placed throughout my home that inspire me. Here is my list.

1. Trees- I know I already mentioned them, but I have to add them to my list.

2. Quotes- I love any type of plaque or picture that have a quote across it. A quote can inspire me in so many ways. It also can give me that push that I need when I’m having an off day. Some of the quotes that surround me are:

*Do not go where the path may lead, go instead where there is not path and leave a trail-Ralph Waldo Emerson (Love, Love, Love this quote).

*Home is where your story begins

*The best way to predict the future is to create it

*Even if the voices aren’t real, They have some pretty good ideas (This one makes me smile. I think it’s a great quote for writers).

*Laughter is the music of the heart

*Family, where life begins and love never ends

I stumbled upon the one pictured above(Creativity is a drug I cannot live without by Cecil B. DeMille) today and instantly fell in love with it

3. My writing diplomas. I have two diplomas from The Institute of Children’s Literature. Every time I look at the framed diplomas that hang upon my wall, I am reminded that I have taken steps to better myself and hopefully further my writing career.

4. Photographs: Pictures of family and friends can be very inspiring. If I’m writing a scene that involves friendship, all I have to do is look at a picture of a friend and instantly memories, emotions, and conversations pop up. I especially love the pictures of my father (he passed away two years ago) because I know he was my biggest fan. I can still hear him say “Finish that book Maribeth,” or “Don’t give up honey, you are a good writer.”

5. Books: I was thrilled this year when my husband came home with a beautiful bookshelf. I am inspired for many different reasons by the books that line my shelves. A glance at them can push me to keep writing because I want to see my name on the cover of a book. I also can be inspired by lines in the books that other authors wrote. Most of all they inspire me to keep writing because I know that every one of the authors were once unknown.

I’d love to hear what types of items surround you. Maybe something that inspires you will inspire me as well.

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THE ART OF OBSERVING

Have you ever been in a situation where you catch another person looking you up (or down) from head to toe? Your first thought is probably something like “What is she (or he) looking at?” This is the exact thing a writer must do in order to create characters, develop scenes and incorporate details. Imagine if every book you read had only a plot? What if there was no character description, no setting imagery or no sounds mentioned? I think you would agree that most readers would find the book BORING. It is the incorporation of a writer’s observation that brings a book to life. A dark haired man is bland. A dark haired man with a receding hairline, beer gut and a tattered white t-shirt adorned with sweat soaked arm pits becomes interesting (or disgusting). A scene where a girl sits by herself on a bench in a park isn’t much of anything. Adding detail to the scene gives the reader a visual and helps bring them into the life the writer created. E.g. A teenage girl sits on a spray painted park bench under an oak tree and notices a large groups of kids huddled around the basketball court watching grown men play a game of hoops. The reader can now envision the setting because of the addition of minor details, such as the spray painted bench, the oak tree and the basketball game.
If you are a writer think of yourself as a sponge. Everything around you should be soaked up.
If you want to master the art of observing you must do the following.

*Wherever you are take in the sounds. Practice closing your eyes and assimilate all that is audible. How many sounds throughout the day do you ignore because they have become too common? E.g. Birds chirping, horns beeping, sirens, dogs barking etc.

*Watch the Activity. Try sitting in a highly active place (restaurant, park, casino, sports arena, concert, etc.) and write down what is happening around you. What is the waitress doing? Is there a child sliding down a slide for the first time? Are there groups of people listening to music in the parking lot prior to the concert they are anxiously waiting for?
*Pay attention to emotions. Does the gambler look excited or frustrated? Weddings, funerals and sporting events are great for observing emotions.

*Watch for mannerisms. Mannerisms as I have discussed in previous posts make characters relatable. Does the young waitress have a habit of licking her lips? Does the lead singer jump up and down before the start of a new song? Is the football player known for blessing himself before he leaves the huddle?

*Don’t forget about nature. Nature is free art. Getting in touch with nature may sound corny to some but it is a must for a writer.

*Watch the animals. Don’t ignore the birds that chirp on the telephone wire, dismiss the squirrels that scurry up the tree or fail to pay attention to the neighborhood cat. They all can add to a scene.

*Make note of a person’s sense of style. Do they have a flair that begs to be imitated? Do they appear sloppy looking? Is their pants one size too small or two sizes too big? All of this can be used for character building.

*Check out the atmosphere. Make it a point to scan your surroundings. If you are in a friend’s home look at their décor for inspiration. What unique things do they have that can add depth to a scene. Does your favorite restaurant have booths or tables covered in linen?

Promise yourself that this week you will take time to really observe. Soak in your surroundings. But, remember that too much detail can be overkill and turn a reader off. Find a way to add your observations in a non obvious way.

What observations have I missed that you think are important?
Where do you like to go to observe?

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If Linus Could Wait, So Can I

Happy Halloween! Halloween stirs up memories for me. I like to reminisce about being a young girl anticipating this once of year fantastical event. Sure, there were the costumes, the candy and the trick or treating, but most of all there was the Charlie Brown Halloween special “It’s the Great Pumpkin, Charlie Brown”. I looked forward to seeing the Peanuts crew dressed in costume, celebrating the joy the holiday brought. I rooted for Linus and believed every year (even though I knew the outcome) that the Great Pumpkin would come. Today, as I reflected on my Halloween Pasts, I came to the realization that I am now Linus. I am sitting in a pumpkin patch (okay maybe it’s a room within my house that I like to call my “writing room”) waiting for the great pumpkin (an agent) to show and prove everyone who never thought it (or she or he) would come wrong. I have created characters much like children do on Halloween and rang doorbells (okay, sent e-mails) in hopes that the person on the other side would fill my treat bag with goodies. When no one answered the door (e-mail) I became like Linus and waited and waited (still waiting) and refused to believe that the Great Pumpkin (great agent) was going to be a no show.
Linus was convinced that once he left, the pumpkin would show. Aren’t writers a lot like Linus? We are sitting in the middle of a field of writers waiting to be discovered (I know, Linus wasn’t waiting to be discovered but still he was waiting for something he believed in.) We have to be patient like Linus. Wasn’t it another fairytale that a pumpkin turned into a coach and escorted a certain princess to a ball? I believe my pumpkin will come and bring magical things. Do you?

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Why I am Your Dream Client:(Info I can’t include in a query or bio)

A good query will pique an agent’s interest and hopefully prompt them to request more. A bio will give an agent a glimpse of who you are. The social media networks will allow an agent to get an even better grasp on a potential client, (what they look like, what family and friends say about them, what their interests are). Today’s post is meant to be fun yet informative. Currently, I have three partials out there swimming in the sea of possibility. I have decided to list ten reasons why I think I would be a dream client just in case one of those agents decides to check out my blog. What would you tell an agent about yourself if you could?

1. I LOVE constructive criticism. I am completely aware that I will never reach my full potential unless I am willing to listen to what others have to say. I do not view constructive criticism as an attack. If I had nothing more to learn, I would already have many published books under my belt. Note to other writers- Don’t respond immediately to constructive criticism. You are more apt to respond negatively within minutes than you are if you give yourself a few hours, even a few days.

2. I will never attack you via the internet. I won’t promise I will always agree with what you have to say but it is not my style to throw your name out into cyberspace to “get back” at you.

3. I am not trying to be the next J.K. Rowling, I am trying to be me. I’m not saying that I wouldn’t love to become as successful as a lot of today’s popular authors, I am saying I won’t try and ride on anyone else’s coattails. I want my work to be my own. I’d rather start a trend than follow one.

4. I am good at public speaking. Of course I get the jitters when standing in front of a group of people but the audience would never know.

5. I can get along with anyone. I think everyone has a story to tell. My motto is – look for the good within every person you meet and you might be surprised how your life changes. If you can’t find any good then you have a muse for evilness.

6. I will always give it one-hundred and ten percent. I want to be great at anything I do, not because I want to be better than anyone else, I just want to be the best of myself.

7. I have a fun sense of humor. Often, I connect with others based on sense of humor. I’d rather laugh at myself than at someone else.

8. I won’t pretend to know your job.

9. I have a trunk full of stories waiting to come to life. I don’t want to be a one trick pony.

10. I am LOYAL. I won’t look for every opportunity to get rid of you. If there was a problem I felt needed to be addressed, I would come to you first.

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